Pro tools interface for vocals1/20/2024 ![]() ![]() Hardware VCA compressors have had an auto mode to handle release times for years, a feature oddly absent from the majority of plug-in compressors. ![]() Pro Compressor adds three more called Smart, RMS and Fast. Channel Strip has two modes: Avg and Peak. The part of a depth control that actually gets used is the top 20 or so dB, so the huge range available on the Channel Strip just makes it harder to set precisely.Īnother feature that helps the Pro Compressor deliver results quickly is Smart mode. This might sound like an irrelevant detail, but points towards the strength of the Pro Compressor, which is its carefully thought-through usability. I'd never noticed before that the depth control ranges differ, with the Channel Strip's running to -108dB but the Pro Compressor's bottoming out at -36dB. But there are obvious and some less obvious differences which make the Pro Compressor a much more interesting device than the Channel Strip compressor. The Channel Strip and Pro Compressors share a great deal of functionality, with identical ranges for controls such as ratio, attack, release and knee. In terms of features, it's an extension of the Avid Channel Strip compressor - which is, in turn, based on the channel processing from the Euphonix System 5. The Pro Compressor is arguably the star of the Pro series. They also have some neat features you might not be aware of. And unlike many third-party efforts, all the Pro Plug-ins are offered in AAX DSP as well as Native format, and are usable in surround formats up to 7.1. If you want more reasons to pay attention to the Pro Plug-ins, remember that as 'nearly stock' plug-ins, their availability to anyone with a current Ultimate upgrade plan or Pro Tools subscription means they are by definition more ubiquitous among Pro Tools users than any third-party plug-in. These are every bit as good as any premium plug-in I've ever used, and if you were to ever pass them by because they are Avid plug-ins and so are in some way less interesting than your third-party plug-ins, you would be doing them and yourself a great disservice. If you have a current Pro Tools rental subscription or a Pro Tools Ultimate upgrade plan then you get access to the Pro Tools Complete Plug-in Bundle, the highlight of which is, for me, the Pro Series Plug-ins. The Avid Pro Series plug-ins are a case in point. If your job is creating the very best EQ, compressor or reverb, then a company who have the rather bigger task of creating and maintaining a DAW have no business beating you at your own game! However, while there are plenty of very respectable plug-ins in the stock complement which ship with Pro Tools, the definition of exactly what constitutes a 'stock' plug-in has become a little more flexible recently. There are, of course, third-party plug-ins that are absolutely unbeatable, and so there should be. It's tempting to view third-party plug-ins as being inherently more desirable than your DAW's stock effects. You probably already have one of the best Pro Tools compressors around - but you might not know it! In the upper screen, fast attack and release times visibly lead to odd-harmonic distortion. The difference between Fast and Smart modes on a low-frequency signal is very visible in the EQ spectrum. ![]()
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